b'DIRECTOR INTERVIEWS U.S.On set with Lionel Richie for Running With the NightGiraldi and Paul McCartney take a break while shooting McCartney\'s duet with Michael Jackson Say Say Saywas, was moved by it. He liked In a genreit. It was a real story, a real eventand so he liked it and I said dominatedokay, great. He seems to like it,so I thought, please let me have momentarilyBillie Jean, one of the greatest by UK directorstracks of all time. You know and they said, oh shit, it just got a using abstractshot, but they do have a single Directing Jermaine Jacksoncalled Beat It, which should on set in Italy visuals, Bobbe the second release single Directing Michael Peters, Vince Paterson, andreleased and I said, okay, letMichael Jackson forJackson\'s "Beat It" Giraldi directedme take that. it was interesting H ad you approachedsays, by the way I think I mightlandmarkbecause everybody has always likened it to West Side Story, and BOB GIRALDI the music videoget a meeting with Michaelmusic videosI see that in print over and over genre prior to your Jacksons two agents. He justand over again, and I just want work with Michaelcame out of a new album calledby tellingyou to know, and Ive said thison Beat It? Thriller. Michael in those daysbefore: it has absolutely nothing I was enjoying thiswasnt the super superstar,stories aboutto do with West Side Story. I took whole career. You know, Ihe was just a superstar. And Iworking,Beat It with my then-family to always wanted a career assaid fine go for it and we putthe seashore in Jersey which a commercial director, andtogether a reel. He went offdancing,I did a lot in those days, and Im having a good time atand had this meeting. Michael,sat on the beach in Jersey, andit, and then all of a sudden,I guess, was taken with a filmfighting, andplayed it over and over and over I was approached by ancommercial I had done for WLS- and over again and came up to Englishman, a young manTV in Chicago. It happens in afalling in love ina scenario which now you know named Antony Payne. Heminority neighborhood whereAmerica. as Beat It. had some experience in thethe white people kind of ran out,Is all about your youth in Made in America music business in England anda white flight thing, as black andNew Jersey, right?America and had the instinctsHispanic people moved into theAbsolutely. It was about meto realize that this was a comingneighborhood. An old couplegrowing up at Paterson how media. I was busy with my ownrefuse to leave and their nearlytough we thought we were, when career, but he said that thereblind, and they threw a blockin reality, we werent. We werent is this new thing opening upparty for all the new neighbors. Itdancers, but I told the story and I think youd be great atwas one of the only times I everthrough dance. The nuances and it. Did I want to put togetherwas crying sitting on the camerainnuendos really came from my a reel of work that he mightin my life, because you know,experiences and childhood and be able to solicit and showit was really quite moving, andWest Side Story was the furthestsome artists. I said fine and heMichael being the romantic hething from my mind.28MVTMISSUE #1 ISSUE #1MVTM29'